Lost Horse Press

There are presently no open calls for submissions.

Established in 1998, Lost Horse Press—a nonprofit independent press—publishes poetry titles by emerging as well as established poets, and makes available other fine contemporary literature through cultural, educational, and publishing programs and activities. Lost Horse Press is dedicated to works—often ignored by conglomerate publishers—which are so much in danger of vanishing into obscurity in what has become the age of chain stores and mass appeal food, movies, art and books. 

1LOST HORSE PRESS is now accepting submissions for the Idaho Prize for Poetry 2021. All US poets are eligible. Entries must be postmarked by 15 May 2021, winners will be announced by 15 August 2021. The contest carries a $1000 cash prize, publication by Lost Horse Press, plus 20 comp author copies. An entry fee of $28.00 will be charged when you submit your manuscript online using Submittable.com. The 2021 Final Judge is Ilya Kaminsky!.

Winner of the IDAHO PRIZE FOR POETRY 2020

Final Judge Jackson Holbert


Ticker by Mark Neely

Mark Neely is the author of Beasts of the Hill and Dirty Bomb, both from Oberlin College Press. His awards include an NEA Poetry Fellowship, an Indiana Individual Artist grant, the FIELD Poetry Prize, and the Concrete Wolf Chapbook prize for Four of a Kind. He is a professor of English at Ball State University and a senior editor at River Teeth: a Journal of Nonfiction Narrative. More about him, including links to his writing, can be found at www.markneely.com.

Mark Neely’s third collection, Ticker, follows the life of its main character, Bruce, as he navigates marriage, children, aging parents, politics, race, religion, global catastrophe, and the irrelevance of middle age. Throughout the book the dueling voices in Bruce’s head—which range from comic to bitter to revelatory—compete for control of his inner life. The poems range from formal to freewheeling, showcasing a unique and essential voice in American poetry.


Recovery Commands, Abby Murray

Say What a River Is, Kathryn Hunt

Doll Apollo, Melissa Ginsburg

In the Hinges of the World, Marjorie Stein

Celebrate Pride with Lockheed Martin, Jake Byrne

Bizarre, Nathaniel Perry


Curriculum, Meghan Dunn

All That is Not the Angel, Travis Helms

Prayer Book for the New Heretic, C. Pope

An Archaeology of Light, Stuart Lishan

American Eclipse, Kateri Kosek

Heavier Than Sky, David Moolten

Selected Notes on Silence and Noise, Suzanne Wise

Glass Puppets Address the Future, Linda Cooper

Left Toward Sunset, David Semanki

Acoustic Shadows, Ceridwen Hall

Lost Horse Press thanks all poets for their particiaption and submissions to the Idaho Prize for Poetry 2020. A hearty congratualtions to the finalists and winner Mark Neely. And, a robust thank you to final judge, Jackson Holbert, a gifted writer and a diligent, brilliant editor to Lost Horse Press. Congratulations!


Lost Horse Press is pleased to announce the winner of the Idaho Prize for Poetry 2019 is Julia Kolchinsky Dasbach’s Don’t Touch the Bones, selected by Final Judge Sandra Alcosser.

Rich in detail, Julia Kolchinsky Dasbach’s Don’t Touch the Bones is a compelling collection that examines the pain of the world’s, a nation’s, and a family’s history. 


Julia Kolchinsky Dasbach emigrated from Dnepropetrovsk, Ukraine as a Jewish refugee when she was six years old. She holds an MFA in Poetry from the University of Oregon and is a Ph.D. candidate at the University of Pennsylvania. She is the author of The Many Names for Mother, winner the Wick Poetry Prize (Kent State University Press, 2019) and The Bear Who Ate the Stars (Split Lip Press, 2014). Her poems appear in POETRY, American Poetry Review, and The Nation, among others. Her work has been selected for Best New Poets, the Williams Carlos Williams University Poetry Prize from the Academy of American Poets, and New South’s Poetry Prize. Julia is the editor of Construction Magazine.


Light Prop for an Electric Stage    Arne Weingart, Chicago, IL

Last Call for Elysium     M. Shayne Bell, Rexburg, ID

Say What a River Is    Kathryn Hunt, Port Townsend, WA

The Clearing     Allison Adair, Brookline, MA


peep    Danielle Blau, Ridgewood, NY

Alien    Louise Akers, Dedham, MA

Often I Am Permitted to Return to a Meadow    Robert Duncan

The Trades   Caroline Goodwin, Montara, CA

Foxlogic, Fireweed    Jennifer Sweeney, Redlands, CA

Apoptosis   Samuel Gilpin, Henderson, NV

Racecar Jesus    Travis Mossotti, St. Louis, MO

LOST HORSE PRESS thanks all poets who submitted their work to The Idaho Prize for Poetry 2019; thanks to our First Reader Jackson Holbert for his astute work; a heartfelt thank you to Sandra Alcosser, Final Judge; and, robust congratulations to Julia Kolchinsky Dasbach.


The winner of the 2018 Idaho Prize for Poetry, selected by Piotr Florczyk, is Jason Gray's Radiation King. 

Apocalyptic, cautionary, but ultimately redemptive, Jason Gray’s poems force us to face up to years of natural and human degradation committed in the name of progress. “If only the metal / Would melt then maybe so would time,” the poet writes, but of course the time doesn’t bend to our wishes; rather, it inscribes our faces and minds with the truth of our deeds, especially those we’d wish to erase. Indeed, these taut poems praise the concreteness of the world—its physics and our physicality—with intelligence and music that are hard to find these days, when so much of contemporary verse seems beholden to overwrought conceptual designs or ready-made narratives. If you wonder what happened to the unassuming voice of the poet full of awe and doubt, or yearn for poems resembling, to paraphrase another poet, matches lit in the dark, then Radiation King should be at the top of your reading list. Jason Gray’s work is the wave that “flashes its white / Smile / Right before it sweeps / You under.” And this book, a small masterpiece of love and devotion to everything that makes the universe fantastic, is that apple that the poet wishes to see “rise into the tree.” 

                                                       —Piotr Florczyk, Final Judge 


 Jason Gray is the author of Photographing Eden, winner of the 2008 Hollis Summers Prize, and published by Ohio University Press. He has also published two chapbooks, How to Paint the Savior Dead (Kent State UP, 2007) and Adam & Eve Go to the Zoo (Dream Horse Press, 2003). His poems have appeared in Poetry, The American Poetry Review, The Kenyon Review, Literary Imagination, Poetry Ireland Review, and many other places. He has also reviewed poetry, nonfiction, and fiction for The Southern Review, The Missouri Review, Shenandoah, The Journal, and elsewhere. His poems have been anthologized and reprinted on Verse Daily. Besides writing, he spends time taking pictures of things.


  • Don’t Touch the Bones  Julia Kolchinsky Dasbach
  • The Condition As a Quiet Room  Heidi Poon 
  • Of Water  Dan Lechay 
  • Pennsylvania Furnace  Julie Swarstad Johnson 
  • The Dreams of Weapons  Melissa Ginsburg

LOST HORSE PRESS thanks all poets who submitted their work to The Idaho Prize for Poetry 2018; thanks to our First Reader Jackson Holbert for his keen reading skills; a hearty thank you to Piotr Florczyk, Final Judge, for his insightful choice; and, most of all, congratulations to Jason Gray.

Lost Horse Press