Established in 1998, Lost Horse Press—a nonprofit independent press—publishes poetry titles by emerging as well as established poets, and makes available other fine contemporary literature through cultural, educational, and publishing programs and activities. Lost Horse Press is dedicated to works—often ignored by conglomerate publishers—which are so much in danger of vanishing into obscurity in what has become the age of chain stores and mass appeal food, movies, art and books. 

LOST HORSE PRESS is now accepting submissions for the Idaho Prize for Poetry 2020. All US poets are eligible. Entries must be postmarked by 15 May 2020, winners will be announced by 15 August 2020. The contest carries a $1000 cash prize, publication by Lost Horse Press, plus 20 comp author copies. An entry fee of $28.00 will be charged when you submit your manuscript online using Submittable.com. The 2020 Final Judge will be announced.


THE WINNING MANUSCRIPT 2019

Lost Horse Press is pleased to announce the winner of the Idaho Prize for Poetry 2019 is Julia Kolchinsky Dasbach’s Don’t Touch the Bones, selected by Final Judge Sandra Alcosser.

Rich in detail, Julia Kolchinsky Dasbach’s Don’t Touch the Bones is a compelling collection that examines the pain of the world’s, a nation’s, and a family’s history. 


ABOUT THE WINNING POET

Julia Kolchinsky Dasbach emigrated from Dnepropetrovsk, Ukraine as a Jewish refugee when she was six years old. She holds an MFA in Poetry from the University of Oregon and is a Ph.D. candidate at the University of Pennsylvania. She is the author of The Many Names for Mother, winner the Wick Poetry Prize (Kent State University Press, 2019) and The Bear Who Ate the Stars (Split Lip Press, 2014). Her poems appear in POETRY, American Poetry Review, and The Nation, among others. Her work has been selected for Best New Poets, the Williams Carlos Williams University Poetry Prize from the Academy of American Poets, and New South’s Poetry Prize. Julia is the editor of Construction Magazine.


SHORT LIST 2019 

Light Prop for an Electric Stage    Arne Weingart, Chicago, IL

Last Call for Elysium     M. Shayne Bell, Rexburg, ID

Say What a River Is    Kathryn Hunt, Port Townsend, WA

The Clearing     Allison Adair, Brookline, MA

LONG LIST 2019 

peep    Danielle Blau, Ridgewood, NY

Alien    Louise Akers, Dedham, MA

Often I Am Permitted to Return to a Meadow    Robert Duncan

The Trades   Caroline Goodwin, Montara, CA

Foxlogic, Fireweed    Jennifer Sweeney, Redlands, CA

Apoptosis   Samuel Gilpin, Henderson, NV

Racecar Jesus    Travis Mossotti, St. Louis, MO


LOST HORSE PRESS thanks all poets who submitted their work to The Idaho Prize for Poetry 2019; thanks to our First Reader Jackson Holbert for his astute work; a heartfelt thank you to Sandra Alcosser, Final Judge; and, robust congratulations to Julia Kolchinsky Dasbach.



THE WINNING MANUSCRIPT 2018


The winner of the 2018 Idaho Prize for Poetry, selected by Piotr Florczyk, is Jason Gray's Radiation King. 


Apocalyptic, cautionary, but ultimately redemptive, Jason Gray’s poems force us to face up to years of natural and human degradation committed in the name of progress. “If only the metal / Would melt then maybe so would time,” the poet writes, but of course the time doesn’t bend to our wishes; rather, it inscribes our faces and minds with the truth of our deeds, especially those we’d wish to erase. Indeed, these taut poems praise the concreteness of the world—its physics and our physicality—with intelligence and music that are hard to find these days, when so much of contemporary verse seems beholden to overwrought conceptual designs or ready-made narratives. If you wonder what happened to the unassuming voice of the poet full of awe and doubt, or yearn for poems resembling, to paraphrase another poet, matches lit in the dark, then Radiation King should be at the top of your reading list. Jason Gray’s work is the wave that “flashes its white / Smile / Right before it sweeps / You under.” And this book, a small masterpiece of love and devotion to everything that makes the universe fantastic, is that apple that the poet wishes to see “rise into the tree.” 

                                                       —Piotr Florczyk, Final Judge 


ABOUT THE WINNING POET

 

Jason Gray is the author of Photographing Eden, winner of the 2008 Hollis Summers Prize, and published by Ohio University Press. He has also published two chapbooks, How to Paint the Savior Dead (Kent State UP, 2007) and Adam & Eve Go to the Zoo (Dream Horse Press, 2003). His poems have appeared in Poetry, The American Poetry Review, The Kenyon Review, Literary Imagination, Poetry Ireland Review, and many other places. He has also reviewed poetry, nonfiction, and fiction for The Southern Review, The Missouri Review, Shenandoah, The Journal, and elsewhere. His poems have been anthologized and reprinted on Verse Daily. Besides writing, he spends time taking pictures of things.


The 2018 SHORT LIST

  • Don’t Touch the Bones  Julia Kolchinsky Dasbach
  • The Condition As a Quiet Room  Heidi Poon 
  • Of Water  Dan Lechay 
  • Pennsylvania Furnace  Julie Swarstad Johnson 
  • The Dreams of Weapons  Melissa Ginsburg


LOST HORSE PRESS thanks all poets who submitted their work to The Idaho Prize for Poetry 2018; thanks to our First Reader Jackson Holbert for his keen reading skills; a hearty thank you to Piotr Florczyk, Final Judge, for his insightful choice; and, most of all, congratulations to Jason Gray.


LOST HORSE PRESS is now accepting submissions for the Idaho Prize for Poetry 2020. All US poets are eligible. Entries must be submitted by 15 May 2020, winners will be announced by 15 August 2020. The contest carries a $1000 cash prize, publication by Lost Horse Press, plus 20 comp author copies of the book. An entry fee of $28.00 (via PayPal) will be charged when you submit your manuscript online using Submittable.com. The Final Judge for 2020 will be announced.

SUBMISSION GUIDELINES 

Send manuscripts of 48 or more pages of poetry, no more than one poem per page, no smaller than 12 point type in an easily readable font. Poems may have appeared in journals and chapbooks, but not in full-length, single-author collections.

Name, address, phone number, and email address—all contact information—should appear on the cover letter only. The goal is “blind” judging. Author’s name should not appear anywhere in manuscript except the cover letter.   

No restriction on content, style, or subject—we’re looking for the best writing.

You will be charged $28.00 for your submission. Of this, a small portion goes to Submittable.com, who designed the program and provide support for it; the remaining fee supports the First Reader, the Final Judge, and publication of the winning title. To submit online:  http://losthorsepress.submittable.com/submit

Lost Horse Press